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Left Of Zero: My Misadventures In the World Of Ideas
The Saint Ann’s Review
(forthcoming)

Look Down, Don't Look Down
The Missouri Review
(forthcoming)

The Size Of the Room: A Personal Reconstruction
The Saint Ann’s Review, Fall 2009

Dumpster Dan
35 in 10: Thirty-Five Ten-Minute Plays, Dramatic Publishing, 2005; Dramatics magazine, November 2004

Elmo On The Half Shell
Excerpts published in Audition Arsenal: Monologues For Men In Their 20s, Smith and Kraus, 2005; The Pacific Review, Volume 18, 2000

Some Other Place
Excerpts in Audition Arsenal: Monologues For Women In Their 30s, Smith and Kraus, 2005

Couldn't Say
Excerpts in Audition Arsenal: Monologues For Men In Their 30s and Audition Arsenal: Monologues For Women In Their 30s, Smith and Kraus, 2005

Toaster In Three Parts
The Saint Ann’s Review, Summer/Fall 2004

Why We Don't Go To the Beach
Circle Magazine, Issue 20, Winter 2002

English Pub Hook
Bulk Head, Spring 2002

No One Talks To the Mailman
Excerpts in The Best Men’s Stage Monologues 1999and The Best Stage Scenes 1999, Smith and Kraus, 2000

A Year and a Tree, Both Rededicated
Dartmouth Alumni Magazine
, February 1994

Couldn't Say
Nominated for Best Overall Production, Direction, Lead Actor, Lead Actress, Lighting Design, and Scenic Design at the Midtown International Theatre Festival, 2008
Literary Prize, Washington Theatre Festival, 2001

Vermont Studio Center
Fellowship for Arts Residency, 2007

The Size Of the Room
Winner, Leonard Lopate/Phillip Lopate Essay Contest, 2007; Appeared on Leonard Lopate Show, WNYC, June 2007

Toaster In Three Parts
Notable Essay, Best American Essays 2005

Some Other Place
Grant recipient, DC Commission on the Arts and Humanities and National Endowment for the Arts, 2000

No One Talks To the Mailman
HD Lewis Award for Playwriting, Washington Theatre Festival, 1999

Forks and Knives
Nominated for Best Play, Washington Theatre Festival, 1998

Dreams Of the Washer King
The Playwrights Realm, Off Broadway, 2010

Shake and Be Saved!
Last Frontier Theatre Conference, 2006; Cherry Lane Theatre/First Look Theatre Company (reading), 2006; MFA Thesis Reading, New York University, 2005

Dumpster Dan
Play-To-Stage New Play Festival, Kennedy Center, 2004; SuperSLAM! Competition, Another Country Productions, 2004; Winner, SlamBoston! Competition, Another Country Productions, 2004; New York City 15-Minute Play Festival, American Globe Theatre, 2004; Brave New World Productions, NYC, 2004; NYU Festival of New Works, 2003

Couldn't Say
Abingdon Theatre Company
(reading), 2002; Charter Theatre, 2001; Washington Theatre Festival, 2001

No One Talks To The Mailman
Abingdon Theatre Company
(readings), 2001, 2002; Round House Theatre (New Voices Reading Series), 2001; Charter Theatre (reading), 1999; Washington Theatre Festival, 1999

Head Games
SlamBoston! Competition, Another Country Productions, 2004; Shadowbox Cabaret, Columbus OH, 2002; 10-Minute Play Competition, Source Theatre Company, 1997; Act Out ’97, Actor’s Theater of Washington (reading), 1997

Some Other Place
Black Dog Theatre Company, DC Arts Center, 2000

Elmo On The Half Shell
Washington Theatre Festival, Source Theatre Company
, 1998

Forks and Knives (related one-acts)
Washington Theatre Festival, Source Theatre Company, 1997

Store 24 (one-act)
Act Out ’97, Actor’s Theater of Washington (reading), 1997

Second Time Running (full-length)
Boston Playwrights’ Theatre (reading), 1996

Spring Forward, Fall Back (full-length)
Boston Playwrights’ Theatre (reading), 1995

M.F.A., Dramatic Writing, New York University; M.A. in Creative Writing, Boston University (Studies with Nobel laureate Derek Walcott) A.B. in English, cum Laude, Dartmouth College; Freie Universität (Studies in contemporary German drama in Berlin); National Theater Institute, 15-week program in acting, playwriting, directing, design, and dance at the Eugene O’Neill Theater Center.

 Home

 Full-Lengths

 One-Acts

 Ten-Minutes

 Monologues

 Essays

 About

 Links

 Contact

 

My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

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Home
Full-Lengths

One-Acts
Ten-Minutes
Monologues
Scenes
Essays
About
Links
Contact

 

My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

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