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My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

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You are welcome to use these monologues for auditions.

1.

(Liz talks to her husband about the start of her downward spiral.)

You know, I never got used to the impression you make as a teacher. My kids would come up to me. Years later. Say I was the most important thing in their life that year. And my god, all I did was show up! Can you imagine someone tapping you on the shoulder? While you’re standing in line with — with groceries? Reminding you of where you were and what it meant to be you? 

When I stopped teaching I thought, “I’ll just take a break. There’s so much to do around the house.” Then, you know, I brought the recycling to the curb. Saw Norm lumber by. I hadn’t seen him in months. I waved. Said hello. I’d been meaning to call him ... I — I looked up and Norm was already down the street. He hadn’t heard me at all. I was standing there, mumbling to the curb, thinking we were having this conversation. I was so ashamed! I never used to mumble. I used to say things. People used to listen. Didn’t they? I ran to the house. Locked the door. I can’t take out the recycling again. Norm might walk by. I’ll just take a break. There’s so much to do around the house. And then I realized, I’d said the same thing the day I stopped teaching, and — and so many other things. And my world was getting so very small. I sat on the floor, a dish towel over my head. Screamed. Laughed. Banged the cabinets. But the panic didn’t – didn’t go away.

2.

(Liz insists that their son appeared to her after he died. This is her husband's response.)

I need to believe you? That’s — That’s asking a lot, Liz. I never went to church before he died. Or meditated. Or believed in souls, or the afterlife, or half the things I see in front of me. I doubt things for a living. And I’ve learned, as long as you have doubts about a thing, or the people you know, you’d be a fool to believe in them.Look. I used to try. Kept a picture of Mom on my dresser, growing up. Talked to her, looking for my sneakers in the morning. Before going to bed at night. But I never heard her or felt her presence. Where was she? Fluttering around in heaven? Hovering an inch away? Maybe she didn’t exist at all, because there’s no such thing as a soul. What do I know? I was nine years-old. All I know is, it didn’t matter if I put her picture on the dresser. Or in the dresser. Or talked. Or whispered. Or shouted. Or prayed. Or ignored her. Or cried and beat my fists against the wall. I didn’t feel her presence. Ever. Anywhere. All I remember is lying in bed at night. Staring into the corner. Trying not to break.

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What’s the worst thing that can happen to a marriage on the edge? Ethan and Liz find out when they become stuck in a car one winter on a deserted highway. Forced to cooperate until help arrives, they confront the issues that have undermined their marriage: his long hours at work, her history of depression, their emotional and physical estrangement, and the recent death of their son and who, ultimately, is to blame for it. At times droll, at times savage, Couldn't Say shows two characters in a battle for their lives, trying to survive until help arrives.

Two actors, two chairs, two jackets, 1:30 without intermission. Developed at Abingdon Theatre Company in New York and the Playwrights' Forum in DC. Produced at Charter Theatre, DC, 2001; Washington Theatre Festival, Source Theatre Company, DC, 2001.

Literary Prize, Washington Theatre Festival, 2001.

Excerpts published in Audition Arsenal: Monologues for Women In Their 30s and Audition Arsenal: Monologues for Men In Their 30s, by Smith and Kraus.