Last night I grabbed a copy of “The Lost Pilot” as I went to bed and saw myself clutching the same book growing up in a basement apartment in Connecticut,
my body curled around a naked bulb, the shade yanked off to give more light,
which in turn reminded me of the night I stayed up reading till I was near-blind,
put my arm down and carried a round scar on my bicep for years.
Turn the page and I’m shifting in the lower bunk of a college dorm in New Hampshire, a lamp now safely clipped to the bedpost, then Chicago,
the same book packed, forgotten and found in three DC apartments,
where I was surprised to discover my own notes in the margin.
In Brooklyn now, imagining how James Tate imagined his dad, who was
killed during World War II, whip across the sky “like a tiny, African god,”
wondering if he still longs to see him every year, though he’s now almost seventy,
or if yearning, unnoticed, becomes the memory of yearning.
Yesterday I told my students they should come up with new ideas in their writing.
Forgive me, I lied. What I meant to say was that they’ll remember what learning
feels like longer than what they’ve learned, that they’ll forget what they think
they think, that when they’re older old ideas may work a more interesting magic,
for I read my own biography in the books I carry. Memories emerge, methodical, a few pages ahead of time, or faster, like confetti back in a tube,
ready to explode when I glimpse the blue cover. Yes! The book! I know that book!
If we read to feel what it’s like to be someone else, we read again to feel
what it was like to be ourselves, replacing the cacophony of a subway ride home,
the radio voice in the car you drove, with something more familiar,
till it too starts to fade, your eyes flutter, the book’s on the ground now –
did you hear it fall? Tonight your body gained its own memory of itself.
Hold it. Hold it close. Till you turn over, turn out the light, and dream
the dreams of a stranger.