The abuse Will experienced while growing up drove him into his mother's arms, resulting in an affair. Here, Will, now 30, recalls the moment after which there was no turning back.

I don’t remember the stairs. The first step into the basement. Or how we ended up. In a corner. Between the boxes. Ma looked at me. A halo of dust. Tangled hair. As if to say something. Then turned and picked up a box. Moved it, left to right. No words. A sigh. Clenched teeth. Left to right. She struggled. Something heavy. My hands went out. And we stood there. Between everything. Holding a stupid piece of cardboard. That was my chance. I see that now.

There were a million ways out. I could drop it. (He mimes dropping a box.) Kick it. (He kicks it.) Scream. (He screams.) Tell a joke. God, the possibilities! But I took it from her, instead. Started a pile. She lifted another. We fell in together. An assembly line. Left to right. (Pause.) In between the activity, I peered over my shoulder for this taller, more together woman. — Hoping to catch, in the corner of my eye — And she turned, looking for this scrawny kid who never screwed up. I turned. She turned. I turned. And thought — Christ. Here we are in the basement, looking for ghosts. Things that passed out of the world. (He laughs.) She would’ve liked that. If I’d told her.

I always end up here. In between. I see things that shouldn’t exist. People who never met. Moments a decade apart. Faces swirling around. I used to be able to keep them apart. It was easy. I could leave. Close my eyes. (He closes his eyes.) Pretend not to hear. Keep the past past. The present present. Everything in its place. But somewhere. In between. It all stopped working.

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My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

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It’s never easy going home, but some families make it nearly impossible. After a 14-year absence, Will returns with his fiancee to find his mother doing laundry 24 hours a day and his father digging holes in the backyard. If that’s not enough to spoil a homecoming, how about that mysterious child riding her bike through the house pretending to be the mailman? Everyone’s got a secret to hide in this slightly scary, slightly campy backwoods comedy.

M2, W3, single set, 1:30 with intermission.

 

Developed at Abingdon Theatre Company in New York and Round House Theatre, MD. Produced at Washington Theatre Festival, Source Theatre Company, DC.

HD Lewis Award For Playwriting, Washington Theatre Festival, 1999.

Excerpts published in Best Men's Monologues 1999 and Best Scenes 1999, Smith and Kraus.