In this excerpt, Joey tries to gain his girlfriend's sympathy by explaining how everyone had it in for him growing up.

You think my brother changed? Or tried to? I’m a firm believer in change. When I got pissed at him and wanted to show the world what a creep he was, that’s what I thought about. He never returned the favor. Always looked for ways to cut me up. He was good at it too. Go ahead. Pick any season or year and there he was . . . Like when I was eleven and found this turtle in the backyard. About a foot long. I called him Elmo — right? — cause he was funny looking. I picked him up, spread a towel on the driveway, and grabbed my tool belt. The gang gathered round. Glen. Sammy. Everyone. Started egging me on. — Why do boys do that? When girls get bored they don’t egg each other on. — I gripped the bottom shell with one hand and the pliers in the other. It wouldn’t budge, so I put him down, wedged my sneaker through the opening to get leverage, then grabbed the top part of the shell with my pliers and RRRRIP! This horrible wet sound. RRRRIP! I remember that sound exactly. It took me a few tries to shell the guy. I don’t know. He was connected with tendons or something.

Sammy and Glen never told their parents. Not a word. It was like any other day in our neighborhood. You walk home from school and see Mr. Frame rolling around on his front lawn. Or passed out. Or Mr. Blake leading his kid by the hair. And no one mentions it. Nate didn’t say a word either. But somehow by the time me and the gang buried Elmo out back, that slimy towel I used ended up in my mother’s hamper. On the second floor of our house. Now. How do you think it got there? Who decided, the day Ma stopped on her way home from the clinic to pick up her wig and was trying to have a normal day and do normal stuff, like laundry, to put that god damned towel in her hamper!? With stuff oozing all over her clothes!?

I — I could see what was going on. I’m not blind. When you’re struggling or sick you need someone to cling to. You need someone to be good. And strong. And perfect. You know? Well in our house, growing up, that person wasn’t me.

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My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

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Joey knows he screwed up, and he's trying to make things right with his girlfriend. The problem, you see, isn't with him. It's with his brother Nate. Joey tries to explain how the trouble started, but the more he talks, the less sense it makes -- even to him -- until his entire life starts to unravel before our eyes.

A monologue for a disturbed guy in his 20s. A coat rack, table and chairs. Twenty minutes.

Produced separately at the Washington Theatre Festival, Source Theatre Company, DC, 1998. Produced as part of Some Other Place by Black Dog Theatre, DC Arts Center, 2000.

Excerpts published in Audition Arsenal: Monologues For Men In Their 20s, Smith and Kraus, 2005. Published in The Pacific Review, Volume 18, 2000.