At the beginning of the play, Dan, a high school freshman, sulks in a Dumpster. His father sits in another Dumpster across the alley. They aren't getting along.

FATHER: Hungry? Not Hungry? Alive?

(No response. He gives up and turns to the audience.)

I was at the kitchen table. Looking at all the stuff we'd accumulated over the years. Mounds of —! Piles of —! I could hardly find the darned sink and get a drink of water. (Pause.) At some point you have to make a decision and take control of your life. So that's what I did. I decided to get rid of it all, everything I owned, and live off the land.

DAN: Which was hard to do, 'cause we live in a city.

FATHER: Good Point. That started me thinking. (He scratches his chin.) I love thinking. (He scratches some more.) I came up with an inspired solution: urban resource reclamation.

DAN: (Leading question.) What's that, in layman's terms?

FATHER: You subsist on stuff people throw away.

DAN: Which means?

FATHER: You climb into metal containers and wade around till you — till you — Fine. Have it your way.

DAN: (Together.) Dumpster diving.

FATHER: (Together.) Dumpster diving.

DAN: Dad didn't stop there. He got rid of our furniture and quit his job, but we still had our apartment. Till one day he came home and said —

FATHER: I fell asleep behind the A&P on an egg crate. Best sleep I've had in years. (He scratches his chin.) Hmmm.

DAN: Please! No more thinking!

FATHER: I passed my old partner on his way to the office. He was hunched over, weighed down by all the things he had to maintain. I got a better night's sleep than he had. What other proof do we need? I'll give the keys to the first person I see. Ha ha! Can't wait to see the expression on their face!

DAN: Wait! What about my books and clothes and — and stuff?

FATHER: You'll find better stuff out there.

DAN: Mom would never let you get away with this!

FATHER: Dan! (A flash of anger.) It's you and me now, all right? Trust me. You'll feel better once we're out of here.

(DAN huffs. His FATHER reclines in his Dumpster with a book.)

DAN: (To the audience.) After a few weeks, Dad began to change. He stopped drinking. His hygiene improved.

FATHER: That makes one of us.

DAN: He read five books a week. We had the best conversations. There was even talk of him entering the Boston Marathon. As for me, it took a while to get the hang of it.

(DAN climbs up on a milk crate outside the Dumpster. His FATHER stands inside and spots him.)

FATHER: Come on, Dano.

DAN: What if something's sharp?

FATHER: I checked.

DAN: What if something's moving?

FATHER: I checked. I'm here. Nothing will happen to you.

(DAN jumps in. He goes through the trash, and finds a ray gun.)

DAN: It's in mint condition!

FATHER: (Laughing.) I'm right! God, I love being right! You know, Dan, we're defying history. Returning to man's original glorious state. We'll forage a few hours a day, then have time to engage in higher activities. Culture. Poetry. Family values.

(FATHER reads. DAN plays nearby. To the audience.)

DAN: I don't know how I kept it a secret at school. (Beat.) Yes I do. I have no friends. Actually, I have two, but they aren't let's-hang-out-at-your-house-I-want-to-know-you kind of friends. It was pretty good, while it lasted . . .

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My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

3
 

Sometimes you reach a point when you got to make a change. For Dan's father, it means getting rid of his possessions and living off the land — too bad he lives in a city. What's Dan going to do? Mom's gone. He's got no friends. So he holds his nose and dives in. Some days you wake up to find dad with an orange rind on his head.

 

One teenager, one dad, simple set, ten minutes.

 

Produced at SuperSlam! Competition, Another Country Productions, MA, 2004; SlamBoston! Competition, Another Country Productions, 2004; New York City 15-Minute Play Festival, Turnip Theatre, 2004; Brave New World Play Festival, NY, 2004; Festival of New Works, New York University, 2003.

 

For performance rights, contact Dramatic Publishing 311 Washington Street, Woodstock IL 60098 1-800-448-7469.

Winner, SlamBoston! 10-Minute Play Competition, 2004.

Published in 35 in 10: Thirty-Five Ten-Minute Plays, Dramatic Publishing, 2005. Published in Dramatics magazine, November 2004.