2

Haunted1. To revisit a previous event in order to understand it or change the outcome, knowing that neither will happen. 2. To realize that the border between past and present has no firm boundary. 3. What you'll feel watching Dreams Of the Washer King, a violent, tender portrait of two single parents and their children.

2M, 2W, 1:45 without intermission.

Completed during a fellowhip at the Vermont Studio Center. Workshopped at Abingdon Theatre in New York and at Kitchen Dog Theater's New Work Festival, June 2008.

 

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My plays are organized into full-lengths, one-acts, and ten-minutes. I've included a plot summary, cast and production requirements, and script history. Everything has been produced or published, or both.

I pulled a monologue from each play to give you a sense of my writing. You're welcome to use them to audition. If you like what you see, contact me and I'll e-mail the script to you.

I started writing essays to amuse my friends and make it through yet another workday in a basement cubicle. Some have since been published.

 

2
 

In this excerpt, Wade, stands in Claire's kitchen with a bouquet of tiger lilies. He's there ostensibly to thank her for helping him the night he moved in, though he's let himelf into her house without announcing himself. Claire's son, Ryan, a teenager, enters.

RYAN: Whatcha doing here? (Pause.) Who are you?

WADE: Your ma around? (Pause.) She helped me out last week.

RYAN: I bet.

(RYAN smirks at the bouquet of tiger lilies WADE brought and gets a drink of milk.)

WADE: What’s she up to?

RYAN: Bible reading. The whole thing.

WADE: You don’t say.

RYAN: She’s a slower reader.

(WADE checks his boots, licks his finger and wipes a spot on them. RYAN drinks milk from the carton.)

WADE: Gonna call her?

(RYAN keeps drinking. A flash of anger crosses WADE’s face.)

Come on, now. We’re neighbors. You’re Ryan. I know a mess about you already, and you act like you never seen me.

RYAN: Have I?

WADE: You walk my daughter to school. Think I didn’t notice?

(RYAN shrugs and puts the milk away.)

Not much of a noticer, are you? Tell you what I saw coming up to your house just now. Trees, hedges, grown up by the window. So little light in the living room you got to keep a lamp on at noon. Bees nest in the gutter. Grass halfway past your shin. Rake against the side of the garage. Know what I think? I think a man used to live here. And doesn’t anymore. Right? Am I right?

(WADE grabs the milk from the fridge and yanks RYAN toward the cabinet.)

Get a glass.

RYAN: Huh?

WADE: You heard me Now pour the milk in the glass. More. That’s it. Now drink the milk like a civilized person. Go on!

(He tips the bottom of the glass up and pushes it against RYAN’S face, forcing him to drink.)

That’s it. That’s it. Oh no, you’re not done. Did I say you’re done?

(RYAN pulls away and coughs milk into the sink, strugglng to breathe.)

Who do you think you are, treating strangers like that!?

RYAN: Maa!?

WADE: You treat your mother that way?

RYAN: Maa!

(A door slams offstage. Angry muttering. RYAN stares at WADE.)

WADE: Stay away from my daughter till you learn some manners. Got that?

(As CLAIRE enters, WADE turns and smiles.)

There you are! I sure appreciate your help the other night . .

(He gives her the flowers. She smiles.)

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